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Here are all the paintings of Bartolome Esteban Murillo 03
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 59992 |
 |
Two Trinities |
"Two Trinities"
|
| 50764 |
 |
Two Women at the window |
mk214
c.1655-60
Oil on canvas
124x104cm
|
| 53808 |
 |
Two Women in a fonster |
mk234
about 1670
127x106cm |
| 62588 |
 |
Unit 4 steps |
mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe |
| 67600 |
 |
Vendedores de fruta |
Title English: The Little Fruit Seller
Español: Vendedores de fruta
Français : La petite marchande de fruits
Polski: Mała sprzedawczyni owocew |
| 69947 |
 |
Vendedores de fruta |
Medium English: oil on canvas
Polski: olej na potnie
Dimensions Deutsch: 149 x 113 cm
|
| 2766 |
 |
Virgin and Child |
1672
Metropolitan Museum of Art, New York |
| 77535 |
 |
Virgin and Child |
oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
cyf |
| 75765 |
 |
Virgin and Child, |
Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
cjr |
| 62560 |
 |
Virgin and the Son |
mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection |
| 62561 |
 |
Virgin and the Son |
Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection |
| 62562 |
 |
Virgin and the Son |
mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet |
| 62580 |
 |
Virgin and the Son |
mk284 Oil on canvas 137 x 112 cm Paris, private collection |
| 62581 |
 |
Virgin and the Son |
mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz |
| 62565 |
 |
Virgin Mary and the Santo Domingo |
mk284 Oil on canvas 1640 207 x 162 cm Tibet Fort Sevilla Anoos |
| 32926 |
 |
Vision of St.Anthony of Padua |
mk84
1656
Seville,Cathedral canvas
560x369cm
|
| 62647 |
 |
Wedding Ghana |
mk284 Oil on canvas 179 x 235 cm |
| 62589 |
 |
Window of two women |
mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington |
| 62595 |
 |
Window, smiling boy |
mk284 Oil on canvas 1670-1680 years 52 x 38.5 cm National Gallery of London |
| 62594 |
 |
Wolves wanderer overspending |
mk284 Oil on canvas 21 x 42 cm Madrid, Museo del Prado |
| 32936 |
 |
Young Boys Playing Dice |
mk84
ca.1665-75
Munich,Alte Pinakothek.
canvas
145x108cm
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| Bartolome Esteban Murillo
|
| Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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